Religion

For many years, Marc Newman used a simple test when asking college students if they thought some actions were always right and others were always wrong — slavery.

Then something strange happened in his philosophy of communication classes. Students began arguing that slavery might be acceptable in certain cultures and under certain conditions. Besides, who were they to judge?

So here's a new question. What if you had two ferries and each contained a bomb. One ferry is full of criminals, while the other contains ordinary citizens and — there's a catch — each contains a remote control that can trigger the other boat's bomb. Then there is this sick Joker who vows that he will destroy both, if one doesn't destroy the other.

Wouldn't it be moral for the good guys to destroy the bad guys?

This is, of course, a soul-wrenching scene in The Dark Knight, the Batman sequel that is soaring toward the $500 million mark at the U.S. box office.

"The audience is torn between these two choices and that's the point," said Newman, who teaches courses on the rhetoric of film at Regent University in Virginia Beach, Va. "You want to see good triumph over evil, somehow. But just look how far these movies have to ratchet up the nature of these violent acts so that the whole audience can agree that they're evil."

Newman believes one reason consumers are paying — over and over — to see this dark, distressing movie is that they are drawn to its depiction of a culture in which violence has become random and all but unstoppable.

"We see in ITAL The Dark Knight ITAL as a fictional expression of our own world gone mad," argues Newman, at his MovieMinistry.com Web site. "Under interrogation, The Joker rejects the idea that his is some alien ideology. Providing his analysis of the bastions of rules and laws — the police department — The Joker explains, 'You see, their morals, their code, it's a bad joke. Dropped at the first sign of trouble. They're only as good as the world allows them to be.'"

Newman is not alone in hailing ITAL The Dark Knight ITAL as — like it or not — a must-see epic for clergy and others who want to keep their fingers on the cultural pulse. But there are strong voices of dissent.

"No movie I've ever seen has been so emotionally disturbing and spiritually oppressive," warned Brian Fitzpatrick of Human Events. While some claim that the movie's tale of good and evil contains essentially "conservative" values, he argued that it "showcases violence, betrayal and sadism in the name of frivolous entertainment. The movie is morally corrupt."

As this movie lurches to its conclusion, it becomes clear that the Joker has only one goal and that is to strip Batman of his moral convictions, to shatter his belief that good can defeat evil without being corrupted.

This implies that some kind of moral absolutes do exist.

"But we are left," Newman added, "with an important question: Where does Batman get his convictions about what is right and what is wrong? He has a moral vision, but where did it come from? That isn't in the movie. There are no answers there."